Doug Perrine captured these stunning photographs in the Maldives. The particular location (Vaadhoo Island) has a concentrated population of bioluminescent phytoplankton. Bioluminescence is a natural chemical reaction which occurs when a micro-organism in the water reacts with oxygen. When washed ashore by the tides, the phytoplankton’s chemical energy is turned into light energy, illuminating the waves.
Gravity-Defying Land Art by Cornelia Konrads
German artist Cornelia Konrads creates mind-bending site-specific installations in public spaces, sculpture parks and private gardens around the world. Her work is frequently punctuated by the illusion of weightlessness, where stacked objects like logs, fences, and doorways appear to be suspended in mid-air, reinforcing their temporary nature as if the installation is beginning to dissolve before your very eyes. One of her more recent sculptures,Schleudersitz is an enormous slingshot made from a common park bench, and you can get a great idea of what it might be like to sit inside it with this interactive 360 degree view.
What you see here only begins to sratch the surface of Konrad’s work. You can see much more on her website. All imagery courtesy the artist.
[via This is Colossal]
Jill Greenberg on Capturing the Horse as Supermodel
One might say there are two Jill Greenbergs. First, there is Jill Greenberg the commercial photographer: She’s done work for corporations like Disney and Coke; her editorial photos have appeared on the covers of Time, Fortune, New York, and others. But it’s Jill Greenberg the artist who gets people talking. From sinister shots of John McCain under the text “WARMONGER” to closeup portraits of children crying (after being offered candy and then having it snatched away), her images have been called “repulsive,” “grotesque,” and have elicited death threats. Her latest project, a book called Horse, is more, shall we say, tame.
You were harshly criticized for the McCain photos you took during the last election, under a strobe light, which made him look almost devil-like. It was an Atlantic assignment, but you doctored the outtakes as an art piece. Was it hard to find editorial work after that?
That incident’s backlash really surprised me, considering I delivered their cover image exactly to their specifications. I don’t really know, but I think the Atlantic was afraid that McCain might be elected and needed to cover themselves. Photographers own all their images when shooting for magazines. The contract actually said you will use all means within your reach to publicize the images and shoot, including your own website, which is where I posted my agit-prop political cartoons. The incident got them an unbelievable amount of traffic, right before they relaunched the magazine with a redesign.